Category Archives: Albums I really like

Albums I really like

Album review: Nick Mulvey: First Mind (released May 2014)

Nick MulveyJust a few weeks ago at Cheltenham Jazz Festival I held my breath as Nick Mulvey stood at the edge of stage, hesitating for what seemed like ages, gazing out at the packed Arena, before giving us a heartfelt performance, one of the highlights of my festival.   Was he remembering his last visit to Cheltenham, his final performance with Portico Quartet when we gasped, convulsed in sadness, as we learned he was leaving the band?   Or was it simply that the beautiful personal lyrics he was about to sing required stillness?

In this stunning debut album, First Mind,  the gentle hang player of Portico has emerged out of his chrysalis, a fully fledged troubadour with a pleasing, light, unforced voice and a rich song book.  Add to this his breathtaking guitar and layers of delicate instrumentation with synths and mellotrons and you have perfection. There is nothing showy here,  the beauty of each composition requiring you to reflect on it, like a poem.  So many influences crowd in, but never overwhelming each composition – take the subtle Beach Boy /Brian Wilson/God Only Knows feel to the title track First Mind.   And English folk song in  Ailsa Craig,  with shades of Nick Drake.  A chill goes through me when I hear the line in Venus:

To the calling of the morning,  yes, the falling lovers leap

A nine-eleven reference?  A searing image.  An outstanding track with its Botticelli image, sadness and heartbeat.

This album touches me deeply with its maturity, dreaminess and gentleness.  See Nick in performance if you can, but savour the album quietly on your own too, and discover its depth.

★★★★★

All songs written by Nick Mulvey

Nick Mulvey

Mary James 26 May 2014

Album review: Kevin Seddiki and Bijan Chemirani: Imaginarium (2013)

Kevin Seddiki and Bijan ChemiraniYou may well be captivated by a few words on the sleeve notes of the album Imaginarium by Kevin Seddiki and Bijan Chemirani:

“Kevin Seddiki and Bijan Chemirani may not share the same parents, but they belong to the same family of roaming musicians, with no fixed abode, who have cast off those things that tie us down to one place.  Always looking to connect with others, they know that when the time comes to leave one another, they will always meet up again.”

You will instantly connect with this beautiful album by guitarist Kevin Seddiki and percussionist Bijan Chemirani.  These are troubadours with pedigree.  Seddiki has played with Al di Meola, bandoneonist Dinu Saluzzi and won the prestigious European Guitar Award in Dresden in 2009.  Chemirani comes from a family of outstanding percussionists and singers from Iran (who settled in France in the 1960s).  They have worked together since 2007, starting with a project called Oneira (a dream) in which each artist combined tradition with their own backgrounds and travels.

So perhaps it was inevitable that this new project would build on that experience –  the title Imaginarium gives you a clue – here are exotic places, sunlit coasts, romantic train journeys, planets, tragic operas. You are free to roam in your mind, transported by the most delicate sounds and rhythms that are half familiar if you have ever travelled in North Africa,  the Middle East or West Africa. Here are stringed and percussion instruments with wonderful names like zarb, udu, daff and saz and equally gorgeously heady sounds and trance-like rhythms which rise, fall and move with the sinuous grace of a dancer.  Their shared background in classical music and open minded embrace of other traditions, gently mixed with some subtle electronics,  makes for a rich combination –  like a persian rug or medieval tapestry. They deserve to be better known in the UK for their supreme artistry on interesting instruments, their glorious melodies and the sheer joy they exhibit in their performance – it is captivating and absorbing.

This is a deeply satisfying, dazzling and quite magical experience, and not just for dreaming.  You will want to go travelling…

  •  Kevin Seddiki, classical, folk and 12 string guitars, zarb and percussion
  • Bijan Chemirani, zarb, udu, daff, saz and other percussion
  • Kevin Seddiki
  • Bijan Chemirani

 

Album review: Phronesis: Life to Everything (released April 2014)

PhronesisIs it unorthodox to start a review with an appreciation of the recording quality? Yet without the technical skills of Matt Robertson and the sheer genius of the mixing by August Wanngren, we’d not have this album. Without those engineers, the energy, the passion and the sheer life-grabbing urgency that always characterises live performances by Phronesis, only a few hundred people would have experienced this extraordinary trio live, in the round, at The Cockpit in November 2013.

So we have the best of both worlds in this wonderful album – Life to Everything  – the sheer joy and expansiveness of live performance fused with recording-studio sound.   Of course, if you were not there you would not know that Anton often plays with cutlery, that Ivo sits so quietly at the piano, you think he is asleep, and that Jasper moves with his bass like a dancing partner.  And the result of these things is that unmistakable Phronesis sound!   As the audience we responded with whistles, whoops and gasps and that is what you will do at home, you will feel you are there.   The bustle, the clatter, the dancing-down-the-street feel of Anton’s compositions such as Herne Hill  is balanced by the ethereal, symphonic beauty of those of Ivo where he takes us into space and deserts, and explores the unspoken strength of deep friendship in Phraternal,  the life-changing experience (for him and us) that is called Phronesis.  And Jasper’s strong, instantly hummable tunes provide the sinew that runs through it, his bass playing is so delicate and responsive it drives the Phronesis machine as if it were a high-powered car  – which it is.

Phronesis’ fifth album, Life to Everything is quite simply one of the best albums you will hear this year! And their best!

★★★★★

Available here from Edition Records.

Mary James 6 April 2014

Album review: I Think You’re Awesome: Lift me up so I can reach

I think youre awesomeI hesitate to put the debut album Lift me up so I can reach by Danish band I Think You’re Awesome into any particular category. But it fits easily into the “I-loved-this-the-moment-I-first-heard-it” box.  In just 36 minutes over 6 tracks and in a live  performance,  Jens Mikkel‘s band has created a unique and complex soundscape with tracks of great beauty and serenity sitting comfortably alongside compositions which are instantly arresting, memorable, witty and fun such as Be Kind to Your Neurosis.   

It is a mature work by a band which brings so many genres into play here – pop, indie, jazz, classical, roots.  The instruments are interesting – when did you last hear a banjo?  And it is the work of equals, everyone brings their strengths and  bass player Jens Mikkel allows them the space to breathe and intermingle within his own affectionate compositions. There are  many influences – to my ears there is sitar and the lilt of kora in the symphonic track called I Think You’re Awesome  (where the wurlitzer provides a very distinctive sound remembered from the Beach Boys) .   Yet it all sounds new and fresh and moves along so effortlessly  and perfectly you can’t believe this is a live performance. The title of the album refers to the idea that you can take pride in your achievements even as you are helped by others (those giant’s shoulders) along the way.

In an album of exquisite performances from everyone, special mention must be made of the sublime lyrical beauty of the cello of Maria Isabel Edlund in Schwartzwald.  This is a haunting piece that could be classical but sounds cinematic and modern with the aid of some subtle electronics, dance-like rhythms and abrupt ending. The sound quality and mixing is beautiful throughout.

If you like the sound of this album you might like to try Elliott Girls with Radical Haircuts and  Alex
 Jønsson
3 The Lost Moose which both feature Jens and Alex and are equally atmospheric.

All music by Jens Mikkel

Kasper Staub,  juno & wurlitzer
Alex Jønsson,  guitar (right side)
Morten Kærup , banjo
Jens Mikkel, bass
Andreas Skamby, drums

with

Scott Westh,  trumpet
Jens Bang , trombone
Maria Isabel Edlund, cello

Recorded live in Aarhus, 30 April 2013

Mixed by Anders Ørbæk and mastered by Emil Thomsen

Artwork by Simon Eskildsen


The album is available as a free download from  Jens Mikkel 

Mary James 11 March 2014

Album review: Oddarrang: In Cinema (released Oct 2013)

Oddarrang_In Cinema

It never occurred to me that Oddarrang might not be a Finnish word! It turns out it stands for Odd Arrangement, or so band leader Olavi Louhivuori told me.   I was captivated by Cathedral last May and dazzled by Oddarrang’s performance at London Jazz Festival last year so I came to this album with a great deal of baggage, with high expectations. We have a similar line up (the ‘odd arrangement’) of stringed instruments, trombone, electronics and Olavi on drums, like a sprite conjuring magic in this strange landscape.  Perhaps in keeping with the more sombre environment in which we now find ourselves, this album doesn’t have much of the fairy tale to it on first listening.   Seeing the band at Kings Place in September, where the walls shook with the volume of The Sage and my blood ran cold with fear at one point, the unearthly vocals of Osmo Ikonen rising above the cacophony, it would be reasonable to think this was a very different band, that they have left haunting, spiritual, glacial delicacy behind.

And then suddenly Olavi sat at the piano for just a few bars, a xylophone tinkles and I am sitting in a sleigh on a midnight ride through a snowy moonlit forest, back in that mythical landscape.  How cleverly they play on our emotions.  The album is the score for four films. I have not seen them yet.   In my mind they are all achingly sad or full of terror.  It is always cold, the wind howls. On the ethereal Missing Tapes from a Highway Set the delicate guitar sounds Japanese, a lament from Turandot, there is a sad feel to this track, the trombone’s lovely melody speaks of loss.   Other tracks are anxiety laden, full of foreboding, there are shrieks, the trombone yowls in pain, it is quite nightmarish.

This album grows and glows, it is not glacial at all but fiery.  It is striking in its breadth of emotion and the beautiful physical landscapes it evokes, where subtlety and sheer explosive power are perfectly balanced (as in Self-portrait). And when tranquility morphs into a stadium-filling wall of sound, you feel a sense of shock and loss when it ends.  Masterly.

Oddarrang:   In Cinema

All music composed by Olavi Louhivuori except track 7 by Lasse Lindgren

Olavi Louhivuori, drums, piano, synths, harmonium
Ilmari Pohjola, trombone, guitar
Osmo Ikonen, cello, vocals
Lasse Sakara, guitar
Lasse Lindgren, bass, synths

Oddarrang is available from http://store.editionrecords.com/album/in-cinema

Mary James