Tag Archives: Nicolas Meier

Bands/Artists I rate very highly, Coming up

Preview: Festival of the guitar: Stratford Jazz March-June 2014

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guitaristI am calling it a Festival of the Guitar: It was a masterly stroke of scheduling – Stratford Jazz features some of the most exciting guitarists on the UK scene in the next few months so here’s my preview of six gigs worth turning out for.  What’s thrilling for me is that we get to hear very different styles of music, guitars, guitar playing and influences.

First up we host John Law’s Boink! on 12 March. The guitarist in question is Rob Palmer  who I last saw at Sherborne Jazz with Jon Lloyd and John Law. Boink!  is the latest project from John Law  which takes him away from acoustic pianos and into the world of electronica and interactive visuals. Intrigued?   In a recent interview in Jazz UK (issue 115) Rob said that the electronic backing tracks are composed leaving the musicians free to improvise 90% of the time.  It will be a combination of total freedom and totally composed music, he says.

No sign of electronics with our next guitarist, the acoustic and classical guitarist Maciek Pysz who makes his debut appearance at Stratford Jazz with his stellar trio of Yuri Goloubev on double bass and Asaf Sirkis on percussion on 26 March. Maciek is on an extensive UK tour promoting his album Insight  which received rave reviews across the globe last year. He appears at Stratford the day after an important gig at Pizza Express Jazz Club, Dean Street, London with a guest appearance by Tim Garland who recently signed to Edition Records.  Insight was my album of 2013 so I can’t really add more other than to say that the last time I saw this trio they blew the roof off Kings Place, gathering a larger crowd in the foyer than in some of the concert halls.  They filled the huge space, just as they filled the windy park at Ealing Jazz Festival last year. We can expect a more intimate, conversational evening of Maciek’s beautiful lyrical compositions, exquisite arco bowing from Yuri and sensitive percussion from Asaf.  As Maciek said in an interview in 2011,  ‘I do not want to be perceived only as a jazz guitarist, I’m an acoustic guitarist who mixes genres’ and therein lies his attraction. His influences are John McLaughlin, Ralph Towner and Al Di Meola yet he sounds like none of these, he has his own voice.

 On 9 April we host Phil Robson with his new organ trio featuring Gene Calderazzo on drums and Ross Stanley on Hammond organ.  Phil Robson’s discography contains a jazz who’s who of musicians from both sides of the Atlantic – Mark Turner, Michael Janisch, Christine Tobin (the celebrated Sailing to Byzantium), John Taylor, Liam Noble – and he brings a breath of New York to Stratford with his drummer, whose drumming John Fordham described as scalding!  Listening to their demo clip on Soundcloud I was minded of Steely Dan  – that was just the organ I imagine, but we can expect what Roy Stevens is already predicting will be the gig of the year at Stratford!

On 14 May we are joined by a newly formed band called The Orient Quartet. This features Dan Messore on guitar. Dan’s own quartet called Indigo Kid features none other than Iain Ballamy. Kevin le Gendre said of Dan ‘It’s fair to quote names like Pat Metheny and Frissell as references but the seam of jazz Messore is mining goes back further to such as Charlie Byrd and Jim Hall’.  Combine this with Steve Waterman‘s trumpet (as heard on Carla Bley’s albums on ECM) and you can see we have a very heavyweight new band.

On 11 June we feature Nic Meier who brings his glissentar with its eleven fretless strings which provides more than a touch of the orient to the sound, a heady mix of Turkey, central Europe, Iberia and the Americas.  His quartet features the artists who appear on his recent album Kismet. Look out for his flamenco treatment of Coltrane’s Giant Steps!

Our final guitarist is Jon Dalton on 25 June. Jon has been playing guitar since he was seven and cites Wes Montgomery as an influence. He brings a trio with a Hammond organ virtuoso so we can expect a vibrant set. If you like Gibson guitars then come along!

So join us for these wonderful gigs, and keep jazz alive outside London.

All gigs start at 8pm and tickets on the door are £10/£12 for Phil Robson, half price for students. We look forward to welcoming you to our jazz club and our Festival of the Guitar.

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http://www.stratfordjazz.org.uk/ and https://twitter.com/StratfordJazz

Image by Joep Olthuis
Mary James 22 February 2014
Bands/Artists I rate very highly, Gigs I've enjoyed

Festival review: Kings Place 14 Sept 2013 – a gaggle of guitarists

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It wasn’t meant to be a feast of guitarists but that’s how the Saturday at the Kings Place festival turned out for me. I had intended to see only one – Maciek Pysz – but one turned into many, bringing a kaleidoscope of images, colours, shapes and sounds, and most joyous of all was the remembrance of musicians enjoying playing together, and showing it. Most vivid was the bougainvillea-coloured dress worn by Helen Sanderson of Vida Guitar Quartet, its colour and elegant drape giving a sense of occasion sometimes missing in jazz gigs! And what a treat – four classical acoustic guitarists performing recognisable orchestral works but arranged for guitars, with all the notes and sounds you’d expect from an orchestra. Thus we could hear the drums and pipes of Malcolm Arnold’s the second set of English Dances tapped out by fingernails. Rhapsody in Blue will never sound quite the same again, the wail of sirens created on strings. Two modern dancers joined the guitarists for Speed Bonnie Boat, the tumble and intertwining of the dancers’ flexing bodies making waves on the stage, always landing soundlessly, sometimes hanging in the air. A treat for all the senses.

Earlier guitarist Maciek Pysz and his Trio gathered a huge crowd near the box office. A friend was converted to jazz in just 30 minutes, so powerful and intoxicating was the short set, what captured him was the sense of pleasure communicated to us. He wanted to take it home! I looked round and people were smiling at the music. The music sounded darker than the album, the grey skies and need to fill the echoing space allowed Asaf Sirkis to pump up the volume. The sound was great, no loss of bass for Yuri Goloubev this time.

It was lovely to hear a different style of guitar just an hour later with Nicolas Meier. We headed a bit further east to the complex rhythms of Turkey. I couldn’t see how many strings Nicolas’s guitar had but it may have been a glissentar, the extra strings adding that distinctive twangy resonance and suddenly Kings Cross became Ankara. A small girl danced and whirled, unaware she reminded us of a dervish, adding to the performance.

No time for food, straight into Martin Speake’s Trio and another guitarist – Mike Outram whose quiet presence and delicate introduction to Folk song for Paul (about Paul Motian) moved me greatly, you can hear it below and enjoy this beautifully unhurried modest trio.

And finally a set I admit to being wary of but which left me reeling. No guitars this time. It was Food – Iain Ballamy on sax and Thomas Strønen on drums, Food lite, just these two artists and some electronics. Deep, deep innards-vibrating sounds which mesmerised, pinned me to my seat. Which night club had I wandered into? You didn’t experience this through your ears but your vital organs. This was a very different, daring performance, nothing sparce, just sheer enjoyment again, an experiment that worked. A whole day that worked.

Image by Joep Olthuis